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Bio
Yann Chateigné Tytelman is a curator, editor and writer based in Brussels (BE).
,
Starting in the Autumn of 2021, he is the guest curator of Country SALTS, a new art space created in the countryside near Basel (CH). He is a PhD superviser at Oslo National Academy of the Arts (NO).
He recently received a grant from Centre National des Arts Plastiques (Paris, F), for "The Other Night", an exhibition that takes the form of a novel to be published in 2022.
Exhibitions
Exhibitions
Exhibitions
2023
— Four Sisters. Chantal Akerman, Marianne Berenhaut, Sarah Kaliski, Julia Pirotte, Jewish Museum of Belgium, March 24-August 27 (with Barbara Cuglietta)
— Of Specters of Returns. Jane Jin Kaisen, Le Bicolore, Paris, February 17-April 23
2022
— A glittering ruin sucked upwards, HISK, Gosset site, Brussels, December 21-January 22
— How to be organic? (A Spring Gathering), Country SALTS, Bennwil, April (convened with Samuel Leuenberger and Gabriella Beckhurst Feijoo)
— Moon Eaters, feat. Bert Cools & Indrė Jurgelevičiūtė, Gunbike Erdemir Cee Füllemann, Francesca Hawker, Charlotte Herzig, Kinga Jaczewska, Marlie Mul, Jeannette Slütter & Sophie Podolski, MOPRHO, Antwerp, March (convened with Caroline Dumalin and Michelle Woods)
2021
— Gordon Matta-Clark: Material Thinking, Museum der Moderne, Salzburg, November 21-March 22 (project lead by Francesco Garutti, curated along with Hila Peleg and Kitty Scott)
— How to be organic? (preview), SALTS, Birsfelden, Avril 2021 (with Samuel Leuenberger et Gabriella Beckhurst Feijoo)
— Studio K (A Radio Room), Kanal – Centre Pompidou, Bruxelles, January 2021 (with Claire Contamine, Guy Gypens, Anna Loporcaro et al.)
— It Never Ends part 1, John M Armleder & Guests, Kanal – Centre Pompidou, Bruxelles September 2020 – April 2021 (with Bernard Blistène, Guy Gypens and Anna Loporcaro)
2020
— It Never Ends part 1, John M Armleder & Guests, Kanal – Centre Pompidou, Bruxelles September 2020 – April 2021 (with Bernard Blistène, Guy Gypens and Anna Loporcaro)
2019
— By repetition, you start noticing details in the landscape, Le Commun, Genève, Décembre 2019 – Janvier 2020 (with MMMMM)
— Anecdotes sans inventaire. Ecart, 1969–2019, LiveInYourHead, Genève, Décember (with Elisabeth Jobin).
— Gordon Matta-Clark: Material Thinking, Canadian Center or Architecture, Montreal, June – September (project lead by Francesco Garutti, curated along with Hila Peleg and Kitty Scott)
2018
— Sound, OGR, Turin, dans le cadre d’Artissima, November (with Nicola Ricciardi).
— Sundown, Bärtschi & Cie, Genève, July-August (design: Bureau Barbier Bouvet)
— Joachim Koester, Bringing something back, Bergen Kunsthall, January-March
2017
— 1977, L’Onde, Vélizy, Paris, March–May
— Immersion, LiveInYourHead, Genève, March–April
— Joachim Koester, In the Face of Overwhelming Forces, Camden Arts Center, London, January-March
2016
— Talisman, Manoir de Cologny, October–December
— Motion. Montréal/Genève, Galerie de l’UQAM, Montreal + LiveInYourHead, Genève, March–May
2015
— Hypnagogic Visions, Pataphysics Cabinet, Mexico DF, August (with Joachim Köster).
2014
— Biennial of Moving Images, Centre d’Art Contemporain, Genève, September-November (with Andrea Bellini and Hans-Ulrich Obrist).
— 6–4–2., LiveInYourHead, Genève, September–October
— Combustion, SAKS, Genève, January-February
Texts
Texts
Texts
Texts
"It's all about light. A conversation with Caroline Bachmann", Meret Oppenheim Prize, Bern: BAK, 2022
"Oblivion", in Joyfully Waiting VI, Geneva, 2022
"Moon with many eyes (audio version)" in Marie Kølbæk Iversen: IO I, Oslo: Museum for Samidskunst and Aarhus: Antypirine, 2021
"Daniel Gustav Cramer: Portraits", Vera Cortes Gallery, 2021
"Affection", in Eva Fabbris (Ed), Diego Marcon. Three Works, Milan: Lenz Press, 2020
"Material thinking", in CP138 Gordon Matta-Clark: the archives reviewed by Yann Chateigné, Hila Peleg and Kitty Scott, Montreal, London: CCA/Koenig Books, 2020
"Singing the unknown. A listening session with Guillaume Sorge", in Andrea Bellini et Sarah Lomabrdi (Eds.), Scrivere Disegnando. Quand la langue cherche son autre, Milan, Genève : Lenz Press / Centre d’Art Contemporain Genève, 2020
"Iroise Doublet: Présage", in Prix de Novembre, Galerie municipale Jean Collet, Vitry, 2020
"Dream piece", in Issue, Spring 2020
"Dream piece", in Elisabeth Jobin and Yann Chateigné (Eds.), Almanach Ecart. Une archive collective, Genève, Lausanne: HEAD – Genève / art&fiction, 2019
"Enseigner par le milieu", in Issue, Summer 2019
« On exhibitions and memory machines », in Steinar Sekkingstad and Yann Chateigné (Eds.), Joachim Koester. Bringing Something Back, Köln, Bergen, London: Walther Koenig/Bergen Kunsthall/Camden Art Center, 2019
"Moon with many eyes", in Marie Kølbæk Iversen : IO I, Aarhus: Antypirine, 2019
"A collective archive" (with Elisabeth Jobin), in Lionel Bovier and Christophe Cherix (Eds.), Ecart, Genève, Köln: MAMCO/Walther Koenig, 2019
"Letters: David Horvitz", in Mousse n°66, Winter 2019
"Rubber Ghost: a conversation with Vanessa Safavi", in Mousse n°67, Spring 2019
"Une nouvelle réfutation du temps", in Bodmeriana/Borgesiana, Genève: Fondation Bodmer / HEAD – Genève, 2018
"Roman Moriceau: Le jardin intérieur", Paris, Galerie Derouillon, Novembre 2018
"Night Ways: Caroline Bachman’s Landscape Paintings", Self published artist's book, 2018
"Tyra Tingleff: Untitled", London, The Sunday Painter, 2018
« Letter dated January 11, 2017 », in Charlotte Herzig, Zürich, Lucerne: Pro Helvetia, Cahiers d’artistes / Edizioni Periferia, 2017.
« Untitled », in 1977, L’onde, Vélizy. 2017
“Dispossession“, Obieg n°4, Eté 2017. Disponible à l’adresse suivante: https://obieg.u-jazdowski.pl/en/numery/performans-teraz/wywlaszczenie (dernière consultation: 4 septembre 2020).
“1977”, in May Revue n°18, Octobre 2017. Disponible à l’adresse suivante : https://www.mayrevue.com/1977-2/ (dernière consultation: 4 septembre 2020).
“Quelles articulations entre les arts et les sciences ? Une conversation avec Gérard Azoulay, Christophe Kihm et Jelena Martinovic”, in Artpress n°44: Images de l’espace: Archive, exploration, fiction, Janvier 2017.
« Against the Day (Diaries) », in Mousse n°60, Automne 2017.
« Anaesthesia », in Mousse n°59, Eté 2017.
« Constellational », in Jochen Volz et Julia Rebouças (Eds.), Incerteza Viva: Sao Paulo: The 32nd Sao Paulo Biennial, cat. Exp., 2016.
« Economies du dissensus. Utopie et contre-utopie de Monte Verità », in constellation.s: Groupe 8, Bordeaux : arc en rêve centre d’architecture, 2016.
« Theories of obscurity », in Raffael Dörig (Ed.), Megarave Metarave, Langenthal, Dijon, Fribourg: “A la recherche d’un non-savoir”, Culture & Recherche, March 2015. Disponible à l’adresse suivante: http://www.culture.gouv.fr/Thematiques/Enseignement-superieur-et-Recherche/La-revue-Culture-et-Recherche/La-recherche-dans-les-ecoles-superieures-d-art (dernière consultation : 4 septembre 2020).
“Le côté obscur de l’Eden”, in Initiales n° 04 – Initiales M.V. (Monte Verità), Ecole des Beaux-Arts, Lyon, Les Presses du Réel, Juillet 2014.
Kunsthaus Langenthal / WallRiss / Les presses du réel, 2014.
« Choses pensées », in Thomas Boutoux (Ed.), Pensée nomade, chose imprimée, Paris, Bordeaux : Paraguay Press / Ecole des Beaux-arts, 2014.
« Inlands », in Derive / Drift, Genève, Dijon : HEAD – Genève / Les Presses du réel, 2014.
« The Magic Chain », in Palais n°17, Février 2013.
“Les obliques radicales », in Retour d’y voir n° 06, 07 & 08 – Une scène romande, Septembre 2013.
“(Dé)faire école”, Artpress 2 – Ecoles d’art : nouveaux enjeux, Septembre 2011.
« Mimetic Powers: Modernity and its Double. Art, Theater and Anthopology », in (Mis)reading Masquerade, Arnhem, Amsterdam, Rotterdam, Dutch Art Institute / IICD / Piet Zwart Institute, 2010.
Books
"Almanach Ecart. Une archive collective", Genève, Lausanne: HEAD – Genève/art&fiction, 2019 (Ed., with Elisabeth Jobin).
"Joachim Koester. Bringing Something Back", Köln, Bergen, Londres: Walther Koenig/Bergen Kunsthall/Camden Art Center, 2019 (Ed., with Steinar Sekkingstad)
"Curating in an Educational Field". LiveInYourHead, 2009 – 2019, Dijon, Geneva : Les Presses du reel / HEAD – Genève, 2019 (Concept, Julie Enckell-Julliard, Ed.).
"Bodmeriana/Borgesiana", Geneva : Fondation Bodmer / HEAD – Genève, 2018 (Ed.).
"1977", L’onde, Vélizy, 2017 (Ed.)
"The Archive as a Productive Space of Conflict", Berlin, Karlsruhe, Genève: Sternberg Press, Hfg Karlsruhe, HEAD – Genève, 2016 (Ed., with Markus Miessen and Laurent Schmid).
"Joachim Koester. Maybe Someone Must Begin with some Particular Places", Berlin, Mexico : Bom Dia Books/Guayaba Press, 2015 (Ed., with Rodrigo Ortiz Monasterio).
"Magmas", London : Raven Row, 2014 (Ed., with Lars Bang Larsen)
"Panegyric", Genève: Forde Art Space/Oraibi Books, 2012 (Ed.)
Download PDF
Bio
Yann Chateigné Tytelman is a curator, editor and writer based in Brussels (BE).
,
Starting in the Autumn of 2021, he is the guest curator of Country SALTS, a new art space created in the countryside near Basel (CH). He is a PhD superviser at Oslo National Academy of the Arts (NO).
He recently received a grant from Centre National des Arts Plastiques (Paris, F), for "The Other Night", an exhibition that takes the form of a novel to be published in 2022.
Exhibitions
2023
— Four Sisters. Chantal Akerman, Marianne Berenhaut, Sarah Kaliski, Julia Pirotte, Jewish Museum of Belgium, March 24-August 27 (with Barbara Cuglietta)
— Of Specters of Returns. Jane Jin Kaisen, Le Bicolore, Paris, February 17-April 23
2022
— A glittering ruin sucked upwards, HISK, Gosset site, Brussels, December 21-January 22
— How to be organic? (A Spring Gathering), Country SALTS, Bennwil, April (convened with Samuel Leuenberger and Gabriella Beckhurst Feijoo)
— Moon Eaters, feat. Bert Cools & Indrė Jurgelevičiūtė, Gunbike Erdemir Cee Füllemann, Francesca Hawker, Charlotte Herzig, Kinga Jaczewska, Marlie Mul, Jeannette Slütter & Sophie Podolski, MOPRHO, Antwerp, March (convened with Caroline Dumalin and Michelle Woods)
2021
— Gordon Matta-Clark: Material Thinking, Museum der Moderne, Salzburg, November 21-March 22 (project lead by Francesco Garutti, curated along with Hila Peleg and Kitty Scott)
— How to be organic? (preview), SALTS, Birsfelden, Avril 2021 (with Samuel Leuenberger et Gabriella Beckhurst Feijoo)
— Studio K (A Radio Room), Kanal – Centre Pompidou, Bruxelles, January 2021 (with Claire Contamine, Guy Gypens, Anna Loporcaro et al.)
— It Never Ends part 1, John M Armleder & Guests, Kanal – Centre Pompidou, Bruxelles September 2020 – April 2021 (with Bernard Blistène, Guy Gypens and Anna Loporcaro)
2020
— It Never Ends part 1, John M Armleder & Guests, Kanal – Centre Pompidou, Bruxelles September 2020 – April 2021 (with Bernard Blistène, Guy Gypens and Anna Loporcaro)
2019
— By repetition, you start noticing details in the landscape, Le Commun, Genève, Décembre 2019 – Janvier 2020 (with MMMMM)
— Anecdotes sans inventaire. Ecart, 1969–2019, LiveInYourHead, Genève, Décember (with Elisabeth Jobin).
— Gordon Matta-Clark: Material Thinking, Canadian Center or Architecture, Montreal, June – September (project lead by Francesco Garutti, curated along with Hila Peleg and Kitty Scott)
2018
— Sound, OGR, Turin, dans le cadre d’Artissima, November (with Nicola Ricciardi).
— Sundown, Bärtschi & Cie, Genève, July-August (design: Bureau Barbier Bouvet)
— Joachim Koester, Bringing something back, Bergen Kunsthall, January-March
2017
— 1977, L’Onde, Vélizy, Paris, March–May
— Immersion, LiveInYourHead, Genève, March–April
— Joachim Koester, In the Face of Overwhelming Forces, Camden Arts Center, London, January-March
2016
— Talisman, Manoir de Cologny, October–December
— Motion. Montréal/Genève, Galerie de l’UQAM, Montreal + LiveInYourHead, Genève, March–May
2015
— Hypnagogic Visions, Pataphysics Cabinet, Mexico DF, August (with Joachim Köster).
2014
— Biennial of Moving Images, Centre d’Art Contemporain, Genève, September-November (with Andrea Bellini and Hans-Ulrich Obrist).
— 6–4–2., LiveInYourHead, Genève, September–October
— Combustion, SAKS, Genève, January-February
Texts
"It's all about light. A conversation with Caroline Bachmann", Meret Oppenheim Prize, Bern: BAK, 2022
"Oblivion", in Joyfully Waiting VI, Geneva, 2022
"Moon with many eyes (audio version)" in Marie Kølbæk Iversen: IO I, Oslo: Museum for Samidskunst and Aarhus: Antypirine, 2021
"Daniel Gustav Cramer: Portraits", Vera Cortes Gallery, 2021
"Affection", in Eva Fabbris (Ed), Diego Marcon. Three Works, Milan: Lenz Press, 2020
"Material thinking", in CP138 Gordon Matta-Clark: the archives reviewed by Yann Chateigné, Hila Peleg and Kitty Scott, Montreal, London: CCA/Koenig Books, 2020
"Singing the unknown. A listening session with Guillaume Sorge", in Andrea Bellini et Sarah Lomabrdi (Eds.), Scrivere Disegnando. Quand la langue cherche son autre, Milan, Genève : Lenz Press / Centre d’Art Contemporain Genève, 2020
"Iroise Doublet: Présage", in Prix de Novembre, Galerie municipale Jean Collet, Vitry, 2020
"Dream piece", in Issue, Spring 2020
"Dream piece", in Elisabeth Jobin and Yann Chateigné (Eds.), Almanach Ecart. Une archive collective, Genève, Lausanne: HEAD – Genève / art&fiction, 2019
"Enseigner par le milieu", in Issue, Summer 2019
« On exhibitions and memory machines », in Steinar Sekkingstad and Yann Chateigné (Eds.), Joachim Koester. Bringing Something Back, Köln, Bergen, London: Walther Koenig/Bergen Kunsthall/Camden Art Center, 2019
"Moon with many eyes", in Marie Kølbæk Iversen : IO I, Aarhus: Antypirine, 2019
"A collective archive" (with Elisabeth Jobin), in Lionel Bovier and Christophe Cherix (Eds.), Ecart, Genève, Köln: MAMCO/Walther Koenig, 2019
"Letters: David Horvitz", in Mousse n°66, Winter 2019
"Rubber Ghost: a conversation with Vanessa Safavi", in Mousse n°67, Spring 2019
"Une nouvelle réfutation du temps", in Bodmeriana/Borgesiana, Genève: Fondation Bodmer / HEAD – Genève, 2018
"Roman Moriceau: Le jardin intérieur", Paris, Galerie Derouillon, Novembre 2018
"Night Ways: Caroline Bachman’s Landscape Paintings", Self published artist's book, 2018
"Tyra Tingleff: Untitled", London, The Sunday Painter, 2018
« Letter dated January 11, 2017 », in Charlotte Herzig, Zürich, Lucerne: Pro Helvetia, Cahiers d’artistes / Edizioni Periferia, 2017.
« Untitled », in 1977, L’onde, Vélizy. 2017
“Dispossession“, Obieg n°4, Eté 2017. Disponible à l’adresse suivante: https://obieg.u-jazdowski.pl/en/numery/performans-teraz/wywlaszczenie (dernière consultation: 4 septembre 2020).
“1977”, in May Revue n°18, Octobre 2017. Disponible à l’adresse suivante : https://www.mayrevue.com/1977-2/ (dernière consultation: 4 septembre 2020).
“Quelles articulations entre les arts et les sciences ? Une conversation avec Gérard Azoulay, Christophe Kihm et Jelena Martinovic”, in Artpress n°44: Images de l’espace: Archive, exploration, fiction, Janvier 2017.
« Against the Day (Diaries) », in Mousse n°60, Automne 2017.
« Anaesthesia », in Mousse n°59, Eté 2017.
« Constellational », in Jochen Volz et Julia Rebouças (Eds.), Incerteza Viva: Sao Paulo: The 32nd Sao Paulo Biennial, cat. Exp., 2016.
« Economies du dissensus. Utopie et contre-utopie de Monte Verità », in constellation.s: Groupe 8, Bordeaux : arc en rêve centre d’architecture, 2016.
« Theories of obscurity », in Raffael Dörig (Ed.), Megarave Metarave, Langenthal, Dijon, Fribourg: “A la recherche d’un non-savoir”, Culture & Recherche, March 2015. Disponible à l’adresse suivante: http://www.culture.gouv.fr/Thematiques/Enseignement-superieur-et-Recherche/La-revue-Culture-et-Recherche/La-recherche-dans-les-ecoles-superieures-d-art (dernière consultation : 4 septembre 2020).
“Le côté obscur de l’Eden”, in Initiales n° 04 – Initiales M.V. (Monte Verità), Ecole des Beaux-Arts, Lyon, Les Presses du Réel, Juillet 2014.
Kunsthaus Langenthal / WallRiss / Les presses du réel, 2014.
« Choses pensées », in Thomas Boutoux (Ed.), Pensée nomade, chose imprimée, Paris, Bordeaux : Paraguay Press / Ecole des Beaux-arts, 2014.
« Inlands », in Derive / Drift, Genève, Dijon : HEAD – Genève / Les Presses du réel, 2014.
« The Magic Chain », in Palais n°17, Février 2013.
“Les obliques radicales », in Retour d’y voir n° 06, 07 & 08 – Une scène romande, Septembre 2013.
“(Dé)faire école”, Artpress 2 – Ecoles d’art : nouveaux enjeux, Septembre 2011.
« Mimetic Powers: Modernity and its Double. Art, Theater and Anthopology », in (Mis)reading Masquerade, Arnhem, Amsterdam, Rotterdam, Dutch Art Institute / IICD / Piet Zwart Institute, 2010.
Books
"Almanach Ecart. Une archive collective", Genève, Lausanne: HEAD – Genève/art&fiction, 2019 (Ed., with Elisabeth Jobin).
"Joachim Koester. Bringing Something Back", Köln, Bergen, Londres: Walther Koenig/Bergen Kunsthall/Camden Art Center, 2019 (Ed., with Steinar Sekkingstad)
"Curating in an Educational Field". LiveInYourHead, 2009 – 2019, Dijon, Geneva : Les Presses du reel / HEAD – Genève, 2019 (Concept, Julie Enckell-Julliard, Ed.).
"Bodmeriana/Borgesiana", Geneva : Fondation Bodmer / HEAD – Genève, 2018 (Ed.).
"1977", L’onde, Vélizy, 2017 (Ed.)
"The Archive as a Productive Space of Conflict", Berlin, Karlsruhe, Genève: Sternberg Press, Hfg Karlsruhe, HEAD – Genève, 2016 (Ed., with Markus Miessen and Laurent Schmid).
"Joachim Koester. Maybe Someone Must Begin with some Particular Places", Berlin, Mexico : Bom Dia Books/Guayaba Press, 2015 (Ed., with Rodrigo Ortiz Monasterio).
"Magmas", London : Raven Row, 2014 (Ed., with Lars Bang Larsen)
"Panegyric", Genève: Forde Art Space/Oraibi Books, 2012 (Ed.)